the angles and linework you chose really bring a sense of depth and space. panel 11's word balloons arrangement and being behind kim are also a another cool way to show since in this way it's not just the physical space but also kim's mental space as she drifts starting here and more in panel 12-16 (panel 12's small-outline-only bubbles? omg that's genius)
your hair rendering is excellent was always and the close-ups of kim's eye show your lighting & relfection skills fabulously, you give her fur and eyes such cool-looking texture and really looking like you're rendering an iris, and not just standard orb-shape!
also definitely really kind of sugar to point out the time limit! and yeah it continues the theme of like that the other patients tell kim useful-to-know rules of the place before she can fall awfoul, compared to the jerk nurses who will only inform after someone falls afoul and even her eon this page are watching vigil under the clock to catch anybody
imo it's a mood with how kim reacts to whittacker's intimidation lean she's just like "what the heck" in panels 3-4, and only in panel 5 is like "oh... i'm intimidated..." the delayed reaction mood
can't wait to see more of tabitha, as awkward silence is also a mood; the slight twitch lines during this sequence helps make it~
Very excited to see more of Miss Whittacker & Tabitha!
Love how the panel arrangement in the middle of the page and Kim's actions, fidgeting and looking about and opening and closing the fist, are very evocative of not being fully zoned in or functioning in an unfamiliar place.
i need to call attention to the sequence where kim notices the clock in her peripheral vision because i think it's ingenious, the way the panel flow mimics kim's attention moving around... gonna be ms. obvious for a second: the dark clock outline catches your attention briefly, then you bounce right past the low-contrast long shot of the clock from across the room to kim's eye looking over. then you read across normally and see the faint dialogue... that's how it works for me anyway and i love it
the angles and linework you chose really bring a sense of depth and space. panel 11's word balloons arrangement and being behind kim are also a another cool way to show since in this way it's not just the physical space but also kim's mental space as she drifts starting here and more in panel 12-16 (panel 12's small-outline-only bubbles? omg that's genius)
your hair rendering is excellent was always and the close-ups of kim's eye show your lighting & relfection skills fabulously, you give her fur and eyes such cool-looking texture and really looking like you're rendering an iris, and not just standard orb-shape!
also definitely really kind of sugar to point out the time limit! and yeah it continues the theme of like that the other patients tell kim useful-to-know rules of the place before she can fall awfoul, compared to the jerk nurses who will only inform after someone falls afoul and even her eon this page are watching vigil under the clock to catch anybody
imo it's a mood with how kim reacts to whittacker's intimidation lean she's just like "what the heck" in panels 3-4, and only in panel 5 is like "oh... i'm intimidated..." the delayed reaction mood
can't wait to see more of tabitha, as awkward silence is also a mood; the slight twitch lines during this sequence helps make it~
Love how the panel arrangement in the middle of the page and Kim's actions, fidgeting and looking about and opening and closing the fist, are very evocative of not being fully zoned in or functioning in an unfamiliar place.